November 22, 2011
November 18, 2011
Ludwig der Fromme: Cod. Reg. Lat. 124 (BV Rom), fol. 4v
Ernst, U. (2003): Die Kreuzgedichte des Hrabanus Maurus las multimediales Kunstwerk. Textualität - Ikonizität - Numeralität“. S. 13-18 in Wissen und neue Medien: Bilder und Zeichen von 800 bis 2000, herausgegeben von Horst Wenzel und Ulrich Schmitz. Berlin: Erich Schmidt Verlag.

Ludwig der Fromme: Cod. Reg. Lat. 124 (BV Rom), fol. 4v

Ernst, U. (2003): Die Kreuzgedichte des Hrabanus Maurus las multimediales Kunstwerk. Textualität - Ikonizität - Numeralität“. S. 13-18 in Wissen und neue Medien: Bilder und Zeichen von 800 bis 2000, herausgegeben von Horst Wenzel und Ulrich Schmitz. Berlin: Erich Schmidt Verlag.

November 15, 2011
Stephan Thiel: Understanding Shakespeare
Degree: Bachelor of Arts Year: 2010 Students: Stephan Thiel Supervisors: Matthias Krohn, Boris Müller

Stephan Thiel: Understanding Shakespeare

Degree: Bachelor of Arts Year: 2010 Students: Stephan Thiel Supervisors: Matthias Krohn, Boris Müller

Touch Vision Interface

enables touch interaction on many different connected surfaces through a mobile phones’ camera view. The translation of touch input coordinates to the captured video feed creates the illusion of being able to directly manipulate a distant surface. As a result, the interaction feels natural and almost invisible.

(teehanlax)

November 7, 2011
TYPOWORKSHOP

TYPOWORKSHOP

October 18, 2011

feltron:

Saw this series at the Venice Biennale years and years ago… still thinking about them.

bbbbird:

Roman Opałka was a French-born Polish painter who painted numbers. In 1965 he began painting a process of counting – from one to infinity. Starting in the top left-hand corner of the canvas and finishing in the bottom right-hand corner, the tiny numbers were painted in horizontal rows. As of July 2004, he had reached 5.5 million. (via triangulation

October 4, 2011
feltron:

Over a year after sharing a bit of process, the fruits of David Fesq’s labor and the label I designed for his wine are now available in Australia.

feltron:

Over a year after sharing a bit of process, the fruits of David Fesq’s labor and the label I designed for his wine are now available in Australia.

September 12, 2011
Live in Data
»
What would our lives look like if every tiny, seemingly insignificant detail were to be visualised? Every calorie, every step? Every minute and every penny? This is mine.

Live in Data

»

What would our lives look like if every tiny, seemingly insignificant detail were to be visualised? Every calorie, every step? Every minute and every penny? This is mine.